Jelena Ivančević (1998) je završila osnovne studije Scenske arhitekture tehnike i dizajna u Novom Sadu. Okrenuta je ka pozorišnim i filmskim praksama kao scenografkinja i scenska dizajnerka. Aktivna je članica udruženja Škart koji se bavi angažovanom i alternativnom umjetnošću na relaciji Tivat-Podgorica (Crna Gora). Bila je angažovana na nekoliko pozorišnih projekata u Crnoj Gori i Srbiji, volonter nekoliko pozorišnih i filmskih festivala, sprovodila tematske radionice na Kotorskom festivalu pozorišta za djecu.. Angažovana na desetak filmova kao scenografkinja i art direktorka, kao što su Besnilo i MIAZMA/Šuma Production, Smrt i Staniša, i Simfonija u režiji Filipa Prelevića, ADA u režiji Ilije Djurovića i Branislava Milatovića, Soba 20/Giggling goat production u režiji Nemanje Lakića i dr.. Arhitekturom se bavi kroz projekte koji se oslanjaju na izložbene ili ambijentalne prostore, bila je član autorskog tima mladih scenskih dizajnera koji su izlagali na novogodišnjem svjetlosnom festivalu koji organizuje Kulturna prestonica Evrope Novi Sad-2021. Kao moderatorka učestvovala je na prvom online simpozijumu Prakse scenskog dizajna/ ka novom bijenalu 2021. Izlagala je projekat u sklopu crnogorskog nacionalnog paviljona na Venecijanskom bijenalu arhitekture za 2023. godinu. Profesionalnu praksu definše kroz scenski dizajn i arhitekturu, te aktivizam.
Jelena Ivančević (1998) completed bachelor studies in Scenic Architecture, Technique and Design in Novi Sad. She turned to theater and film practices as a scenographer and stage designer. She is an active member of the Škart association, which deals with engaged and alternative art in the Tivat-Podgorica (Montenegro) area. Took part on a dozen of films as set designer and art director, such as Dog Killer and MIAZMA/Šuma Production, Death and Staniša, and Symphony directed by Filip Prelević, ADA directed by Ilija Djurović and Branislav Milatović, Room 20/Giggling goat production directed by Nemanja Lakić etc..She engaged in several theater projects in Montenegro and Serbia, a volunteer at several theater and film festivals, conducted thematic workshops at the Kotor Children's Theater Festival. She experiment with architecture through projects that rely on exhibition or ambient spaces, she was a member of the author's team of young stage designers who exhibited at the New Year's light festival organized by the Cultural Capital of Europe Novi Sad-2021. As a moderator, she participated in the first online symposium of Stage design practice/towards the new biennial in 2021. She presented the project as part of the Montenegrin national pavilion at the Venice Architecture Biennale in 2023. She defines her professional practice through stage design and architecture, and activism.
Panos Kravaris Studirao je psihologiju pri Pandio univerzitetu društvenih i političkih nauka u Atini, filmsku proizvodnju u okviru Međunarodne filmske škole Akademije fotografskih umetnosti (APA) u Sidneju, i filmsku i televizijsku kameru pri Centralnom institutu za tehnologiju u Perti. Režirao je tri kratka igrana i više dokumentarnih filmova i radi kao direktor fotografije u okviru mnogih filmskih i TV produkcija.
Panos Kravvaris
He studied psychology in Panteion university of Athens, Greece, and film making in APA International Film School in Sydney and in Central Institute of Technology in Perth, Australia, where he specialized in cinematography. He has directed three fiction shorts and several documentaries since 2005, and works as a cinematographer in film and tv productions.
Filip Markovinović rođen je 1976. godine u Somboru. Od 1987. živi i radi u Novom Sadu. Završio je gimnaziju „Jovan Jovanović Zmaj“, prirodno-matematički smer 1994. godine, a potom i studije multimedijalne režije na Akademiji umetnosti Novi Sad, 2000. godine, u klasi profestora Bore Draškovića. Diplomirao je 2003. godine kratkim igranim filmom „Zvezdan, epizoda: Student“ i pozorišnom predstavom „U lovu na bubašvabe“ po tekstu Januša Glovackog.
Do sada je režirao 17 pozorišnih predstava, 4 (bitnija) kratka igrana filma, kao i veliki broj dokumentarnih filmova, televizijskih emisija, reklamnih i muzičkih spotova itd.
Bio je zaposlen na Radio televiziji Vojvodine, u Video produkciji radija 021, jedan je od osnivača NFC Kino klub Novi Sad (i njegov predsednik u periodu 2005-2013).
Osnivač je i selektor festivala kratkog igranog filma „Filmski Front“ i festivala eksperimentalnog filma i muzičkog videa „Experimental Superstars“.
Od 2011. godine osniva i vodi Mafin proizvodnju AV proizvoda.
Saradnik MMC Led art od 2005. godine. Član Šumske patrole – ogranak Novi Sad u okviru koje se aktivno bori protiv svih zala.
Filip Markovinović was born in 1976 in Sombor. Since 1987, he lives and works in Novi Sad. He graduated from the “Jovan Jovanović Zmaj” high school, majoring in natural sciences and mathematics in 1994, and then studies in multimedia direction at the Novi Sad Academy of Arts in 2000, in the class of professor Bora Drašković. He graduated in 2003 with the short feature film “Zvezdan, episode: Student” and the theater play “Hunting cockroaches” based on the text of Janusz Glowacki.
So far, he has directed 17 theater plays, 4 short feature films, as well as a large number of documentaries, television shows, commercials and music videos, etc.
He was employed at Radio Television of Vojvodina, in Video Production of Radio 021, he is one of the founders of the NFC Cinema Club Novi Sad (and its president in the period 2005-2013).
He is the founder and selector of the short feature film festival “Filmski Front” and the experimental film and music video festival “Experimental Superstars”.
Since 2011, he founded and runs the Mafin production of AV products.
Associate of MMC Led art since 2005. Member of the Forest Patrol – Novi Sad branch, within which he actively fights against all evils.
